‚Viktoria Binschtok traces in her photographic work the idea of visibility. By shifting the context in interesting ways she raises questions about which contents are transported within clearly defined image borders and which ones – based on our common knowledge – surpass them. Binschtok refers equally to images taken from media sources such as the Internet as well as images taken by herself in order to discuss their function and representation.‘
KLEMM’S Berlin
gallery website: www.klemms-berlin.com
‚Not Until Tomorrow‘, KLEMM’S, Berlin, 2020:
The Henie Onstad Triennial for Photography and New Media, 2020
Pumps & Globes, Museum Folkwang, 2018
‚Cutting Straws at Midnight‘, KLEMM’S, Berlin, 2017:
Yellow Cluster, The Holden Gallery, Manchester, 2017:
Orange Wings, NADA New York, 2017:
Marriage is a Lie / Fried Chicken Cluster, C/O Berlin, 2015:
Pink Lady Cluster, C/O Berlin, 2015:
Endless Cluster, C/O Berlin, 2015:
Vitamins, Neuer & Snow White Apron, KLEMM’S Berlin, 2015:
‚Cluster‘, Kunstverein Göttingen, 2015 :
KLEMM’S Berlin, 2014 :
‚World of Details‘, Pier24 Photography San Francisco, 2014 :
‚World of Details‘, KLEMM’S Berlin, 2011 :
‚Venus‘ Belly‘, KLEMM’S Berlin, 2012 :
‚Suspicious Minds‘, Frankfurter Kunstverein, 2012 :
‚Spektakel‘, MMK Zollamt Frankfurt a.M., 2012:
‚Spektakel‘, KLEMM’S Berlin, 2008:
‚Das Grosse Medieninteresse‘ 2008 :
‚Die Abwesenheit der Antragsteller‘, Bergen Kunsthall, 2007 :
‚three people on the phone‘, AMERIKA Berlin, 2007 :
‚LVNY‘, Städtische Galerie Wolfsburg, 2004 :
‚Globen‘, Museum Folkwang Essen 2014
Studio Galerie für Zeitgenössische Kunst Leipzig, 2002 :
Viktoria Binschtok 